Unearth A Gem At The Wexford Festival Opera
Wednesday, October 5th, 201160 years ago, after being persuaded to give a talk to the Wexford Opera Study Circle, famous Scottish author and founder of magazine “The Gramophone” Sir Compton Mackenzie formed a close relationship with Dr.Tom Walsh, and the Wexford Festival Opera was born.
Specialising in the revitalisation of rarely performed operas and reintroducing artists and audiences to lost masterpieces, the Wexford Festival Opera has grown from its humble origins to receive international acclaim. It would be fair to say the fierce passion, innovation, and dedication to guiding audiences and artists into unknown territories and uncover a rich world of operatic works is one of the main factors in the great success of the Festival, however it’s something a bit more ambiguous that makes this 60 year old festival sparkle. Something in the air quickens the pulse of this usually idyllic and laid back Wexford, and the town brims with a contagious feel good attitude that stokes up a magical atmosphere, making it one of the most endearing and addictive festivals in the world.
This year enjoy the festival’s 60th birthday celebrations by immersing yourself in a programme overflowing with champagne and canapés, lunchtime recitals and concerts, afternoon ShortWorks, pre-opera suppers and evening cabaret’s, not to mention three headlining Opera performances. The three Opera’s that will take place in the remarkable 770 seated Wexford Opera House (opened in 2008) include the elegant comedy “La Cour de Celimene”, the evocative tragedy “Maria”, and the witty melodrama “Gianni di Parigi”.
Written in 1855 by Frenchman Ambroise Thomas, “La Cour de Celimene” has never been performed since its first production in 1855, which is hard to understand as it is an appealing Opera with a clever plot, astonishing vocal solos, delightful music and interesting orchestration.
The second Opera to feature in the festival is “Maria” by Roman Stratkowski, it’s an old tale with contemporary relevance and the distinguished Polish writer produced a dramatic and grand opera with an almost Wagnerian use of leitmotif that intertwines characters, action, emotion and memory to great effect.
The final Opera of the trio on show is a guilty pleasure of the Wexford Festival Opera, as it’s the 15th production written by Gaetano Donizetti to feature in the festival’s 60 year history. “Gianni di Parigi” has textbook Wexford Festival written all over it as it is one of Donizetti’s least known shows and was an unsuccessful attempt to entice a well-known singer to perform his production in Paris.
Click here to have a look at a fantastic holiday home in County Wexford and join the hundreds of thousands of Opera pilgrims who travel to the Wexford Festival Opera in search of hidden operatic treasure year after year.